So Kevin and I today wrote a really interesting a complicated song. This is why it's interesting and complicated (and it'll be easier to explain this in person if you should come to my presentation on wednesday at 5:00!); the song goes from being in the 8/8 time signature, to 9/8, then to 4/4 for a brief measure, then to 6/8 in the choruses, then back to a switch between 8/8 and 9/8 in the verses. Then we do some sort of weird, noisy breakdown, similar to the bridge in Whole Lotta Love by Led Zeppelin. Just weird noises, and jungle-esque drums, then we get quiet, then BANG! And we're really really loud for 2 measures or so and then we take it back to the switching between 8/8 and 9/8. It's CRAZY! It took us awhile to figure out the drum parts to it and how to transition between the time signatures smoothly, great work on Kevin's part. Singing over that will be difficult, but it's a challenge we want to take on!
My title refers to our microphone setup. He brought with him a gorgeous Copperphone Mic and we've been singing into it a little here and there, but not really anything put together much. And we only have one actual mic stand, but both of us want to be able to sing. So, we made a makeshift mic stand for the copperphone. Here it is :) Those shelves are in my garage, and we took a plank of wood and put it on a shelf underneath a brick. Then, we took a bungee cord and hung the microphone, but we needed another bungee to pull it back ever so slightly. Works perfectly, and we're proud of our creation :)